Scene 3 Trumpets announce new guests: von Rothbart and his daughter Odile, transformed in the guise Odette.
A farewell dance and it will be time to disperse.
According to a press account: ".a captivating Pas de Trois, which is technically difficult, is performed en pointe for the most part with multiple turns, and was forum escort lecce excellently performed by the Danseuses and their partner." The Waltz of the first scene, or the Valse Champêtre.
According to press accounts of the production the ballerina "did not move at all from the place she started." Soon after Legnani was named Prima Ballerina Assoluta of the Imperial Ballet, and it was because of her great talent that the prospected revival of Swan.Act I escort coswort usata (or Act I-Scene 1) edit Petipa's famous pas de trois from the first scene is still danced today by most companies nearly unchanged, as Petipa usually did when staging a pas de trois classique, having the ballerina who dances the first variation leaving.Leaving the drunken Wolfgang behind, the youths depart.At the sight the young men, still wide awake, decide to end the day with a hunt.He has yet to swear his love to anyone, and can therefore free her from the evil genie.But attracted to the beauty of the new guest, he sees only her.The Prince swears that he will not betray her.Peasant men and women arrive to congratulate the Prince, who invites the men to wine and gives ribbons to the women.By Drigo from Tchaikovsky's.72 for Piano -No.15 "Un poco di Chopin" ).It is unknown when the tradition of having Odile performed as a "Black Swan" began, but most historians point to a 1941 staging of the third scene (the "Ballroom Scene performed by the Ballet Russe de Monte Carlo at the Metropolitan Opera in New York.Scene 2 Benno and several of the Prince's other friends rush.Perhaps the biggest sensation was the Mazurka, danced by a group of dancers with Felix Kschessinsky as soloist.The Variation of Odile from the third scene and, for the fourth scene, the so-called Waltz for White and Black Swans and the Scène Dansante/Pas d'action ).
5-2) was modified by Drigo - this number originally ended with an Allegro movement in A major for solo violin, which was cut.
Nevertheless, Drigo's revision of the score is often used as the foundation.
Siegfried then sees Odette, in the form of a white swan, at the window.